{"product_id":"pais-estatico-tempos-salvaxes","title":"PAÍS ESTÁTICO, TEMPOS SALVAXES","description":"\u003cdiv id=\"content\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"test_class\"\u003e\n\u003cdiv class=\"descripcion_bloque\"\u003e\n\u003cdiv id=\"content\"\u003e\n\u003cdiv class=\"descripcion_bloque\"\u003e\n\u003cdiv id=\"content\"\u003e\n\u003cdiv class=\"descripcion_bloque\"\u003e\n\u003cdiv id=\"content\"\u003e\n\u003cdiv class=\"test_class\"\u003e\n\u003cdiv class=\"test_class\"\u003e\n\u003cdiv class=\"fila_botones\"\u003e\n\u003cdiv class=\"test_class\"\u003e\n\u003cdiv class=\"fila_botones\"\u003e\n\u003cdiv class=\"descripcion_bloque\"\u003e\n\u003cdiv id=\"content\"\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAAICRAA\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cspan\u003eChurrasco, verbena, rapaces novos que se matan en coches vellos, prebostes galeguistas que ninguén recoñece pola rúa: cando Santiago Jaureguizar lle ofreceu a Fran Ferreiro colaborar no Táboa Redonda, o suplemento cultural de \u003c\/span\u003e\u003ci\u003eEl Progreso\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003ee\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eDiario de Pontevedra\u003c\/i\u003e\u003cspan\u003e, seica esperaba iso: cultura. Pero para cousas tan complicadas sempre haberá xente máis capaz. Aquí temos un observador imprevisible, divertido e asombrado por unha Galicia sempre diferente de como a imaxinamos, nola contaron e a queremos. Porque, guiándose polo seu admirado Álvaro Cunqueiro, Fran mira ao seu arredor con todo o cariño do mundo pero co respecto xusto.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAAICRAA\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAAICRAA\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eO volume recolle os textos satíricos, afiados e costumistas que o autor publicou orixinalmente no suplemento cultural \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eTáboa Redonda\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e (dos xornais \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eEl Progreso\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e e \u003cem class=\"eujQNb\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eDiario de Pontevedra\u003c!--TgQPHd|[]--\u003e\u003c\/em\u003e) despois de que o xornalista Santiago Jaureguizar o convidase a colaborar. O libro conta, ademais, cun prólogo asinado por Manuel Gago.\u003cspan\u003e \u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Fsg96\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003c!--TgQPHd|[]--\u003e\u003c\/div\u003e\n\u003cdiv class=\"otQkpb\" aria-level=\"3\" role=\"heading\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-processed=\"true\" data-sae=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 20px; font-weight: 600; margin: 24px 0px 12px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"otQkpb\" aria-level=\"3\" role=\"heading\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-processed=\"true\" data-sae=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 20px; font-weight: 600; margin: 24px 0px 12px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eClaves do libro\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/div\u003e\n\u003cul class=\"KsbFXc U6u95\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-processed=\"true\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 12px 0px 16px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAAIDRAA\" data-complete=\"true\" data-sae=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px 0px 12px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cspan class=\"T286Pc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eUnha mirada imprevisible:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Afastándose da alta cultura convencional, Ferreiro Chao-Abella convértese nun observador irónico da realidade. Retrata unha Galicia ateigada de contrastes que moitas veces choca coa imaxe idealizada que se ten dela.\u003c!--TgQPHd|[]--\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAAIDRAF\" data-sae=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px 0px 12px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cspan class=\"T286Pc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eTemáticas costumistas:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e Os artigos xiran arredor de elementos da cultura popular e da cotidianidade galega moderna: churrascos, verbenas, festas, a mocidade e os coches vellos, ou prebostes galeguistas esquecidos pola rúa.\u003c!--TgQPHd|[]--\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c!--TgQPHd|[]--\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-hveid=\"CAAIDRAK\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px 0px 12px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cspan class=\"T286Pc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\u003cstrong class=\"Yjhzub\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-complete=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 600; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003eInfluencia de Cunqueiro:\u003c!--TgQPHd|[]--\u003e\u003c\/strong\u003e O autor guíase polo espírito de Álvaro Cunqueiro, ollando o seu arredor cun profundo agarimo pero tamén co respecto xusto e moito humor.\u003c!--TgQPHd|[]--\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFran Ferreiro Chao-Abella \u003c\/strong\u003e(A Coruña, 1984) comezou a publicar en prensa despois de que Jose Manuel Pereiro o vise, nunha tarde de trebón, baixar pola rúa da Torre feliz, despreocupado e totalmente enchoupado. Supuxo que alguén así tería algo interesante que dicir. Era verán de 2022 e xa o coñecía de lelo nas redes sociais. Pouco despois fichouno Santiago Jaureguizar para o \u003cem\u003eTáboa Redonda\u003c\/em\u003e, suplemento cultural de \u003cem\u003eEl Progreso\u003c\/em\u003e, onde escribe un artigo cada quince días. Cun deles gañou en 2024 o premio xornalístico Manuel Reimóndez Portela: «No 2ºG hai un narcopiso», contido na súa primeira escolma editada por Morgante, \u003cem\u003ePaís estático, tempos salvaxes\u003c\/em\u003e\u003ci\u003e.\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan style=\"font-size: 0.875rem;\"\u003e____\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003eEditorial: Morgante 07-2027\u003cbr\u003eIdioma: Galego\u003cbr\u003ePáxinas: 102\u003cbr\u003eCRÓNICA\u003cbr\u003eGALICIA\u003cbr\u003eHUMOR\u003c\/p\u003e","brand":"Fran Ferreiro Chao-Abella","offers":[{"title":"Default Title","offer_id":53223829242203,"sku":"9788419040350","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0296\/0097\/2848\/files\/CUB_PaisEstatico.jpg?v=1780330952","url":"https:\/\/libreriaabrente.es\/products\/pais-estatico-tempos-salvaxes","provider":"Librería Abrente","version":"1.0","type":"link"}