{"product_id":"de-catro-a-catro-2","title":"DE CATRO A CATRO","description":"\u003cdiv class=\"qJYHHd mp0vvc\" data-xid=\"aim-mars-turn-root\" data-sfc-root=\"c\" data-sfc-cb=\"\" data-sfc-inited=\"2\" data-asrc=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px -0.22px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cdiv data-tr-rsts=\"false\" class=\"tonYlb Uphzyf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-wiz-uids=\"ItjXHf_3m\" data-sfc-cb=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cdiv data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cdiv id=\"aim-chrome-initial-inline-async-container\" data-ved=\"2ahUKEwjc0cW_2NyVAxX6TaQEHaKpJfYQ_ZkOegYIAggCEBs\" data-hveid=\"CAIIAhAb\" data-streaming-container=\"\" class=\"\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; 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font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cdiv data-container-id=\"rhs-col\" class=\"ofHStc qmNpEc\" data-sfc-root=\"ep\" data-sfc-cb=\"\" data-ved=\"2ahUKEwia_uCj3dyVAxXSTKQEHYFqN4wQ3aYQegYIAQgBEAI\" data-processed=\"true\" data-sfc-inited=\"2\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 14px; font-weight: 400; margin: -82px 0px 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cdiv class=\"ub891 notranslate\" data-animation-skip=\"\" dir=\"ltr\" data-xid=\"aim-aside-initial-corroboration-container\" data-sfc-cp=\"\" data-sfc-root=\"ep\" data-wiz-uids=\"aD8o9e_9z,aD8o9e_a0\" data-sfc-cb=\"\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cdiv class=\"nLDHre\" data-ved=\"2ahUKEwia_uCj3dyVAxXSTKQEHYFqN4wQ_YQPegYIAQgoEAA\" data-processed=\"true\" data-copy-service-computed-style='font-family: \"Google Sans\", Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none; border-bottom: 0px rgb(10, 10, 10);'\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIDRAA\" data-processed=\"true\" data-complete=\"true\"\u003e\n\u003cspan data-subtree=\"aimfl\" data-processed=\"true\"\u003eA edición de \u003c\/span\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\"De catro a catro\"\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e publicada por \u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003eChan da Pólvora\u003c!--TgQPHd|||[]--\u003e\u003c\/span\u003e supón un fito na recuperación poética galega, ao rescatar unha das obras cumes da nosa literatura baixo os coidados dun dos selos máis combativos e especializados na edición de poesía contemporánea.\u003cspan\u003e \u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIEhAA\" data-complete=\"true\" data-processed=\"true\"\u003eO texto orixinal, escrito por \u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003eManuel Antonio\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e (Rianxo, 1900-1930) e publicado por vez primeira en marzo de 1928 pola mítica Editorial Nós, repénsase aquí respectando o espírito rupturista do autor e dotándoo dunha nova canle de difusión para as novas xeracións de lectores.\u003cspan\u003e \u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003c!--TgQPHd|||[]--\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=KKATdf_1c\/fLk2Md\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003eContido e eixes esenciais do poemario\u003c!--TgQPHd|||[[2,[null,null,null,null,null,null,null,null,null,null,null,null,[351768,null,0]],[],null,1]]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIFRAA\" data-processed=\"true\" data-complete=\"true\"\u003eO libro —cuxo subtítulo orixinal é \u003cem class=\"zhvwWe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003eFollas sen data d'un diario d'abordo\u003c!--TgQPHd|||[]--\u003e\u003c\/em\u003e— consta de 19 poemas creados durante as travesías mariñegas do autor a bordo do pailebote \u003cem class=\"zhvwWe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003eConstantino Candeira\u003c!--TgQPHd|||[]--\u003e\u003c\/em\u003e. O seu contido afonda en:\u003cspan\u003e \u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/div\u003e\n\u003cul class=\"XSq4R KI3fJ\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIGxAA\" data-complete=\"true\" data-processed=\"true\"\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIGxAB\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eO mar como espazo absoluto:\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e Manuel Antonio desbanca a visión idílica ou costumista do mar. Aquí, o océano é un escenario estático, abstracto e nocturno que funciona como un espello do baleiro.\u003c!--TgQPHd|||[]--\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIGxAG\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eA soidade do eu lírico:\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e O contido está impregnado por unha fonda vivencia da soidade individual, do aburrimento do mariñeiro durante as gardas (\"de catro a catro\" horas) e da desorientación existencial.\u003c!--TgQPHd|||[]--\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIGxAL\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eLinguaxe técnica e mariñeira:\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e Fronte á poesía ruralista anterior, a obra introduce de cheo o léxico dos barcos (pailebotes, cordames, compases, bitáculas) fusionado cunha linguaxe culta e vangardista.\u003c!--TgQPHd|||[]--\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/li\u003e\n\u003c!--TgQPHd|||[]--\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003c!--TgQPHd|||[]--\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=KKATdf_2h\/fLk2Md\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e\n\u003cstrong\u003eContexto e relevancia histórica\u003c\/strong\u003e\u003c!--TgQPHd|||[[2,[null,null,null,null,null,null,null,null,null,null,null,null,[351768,null,0]],[],null,1]]--\u003e\n\u003c\/div\u003e\n\u003cul class=\"XSq4R KI3fJ\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIIBAA\" data-processed=\"true\" data-complete=\"true\"\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIIBAB\" data-sae=\"\" data-complete=\"true\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eA introdución do Creacionismo:\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e \u003cem class=\"zhvwWe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eDe catro a catro\u003c!--TgQPHd|||[]--\u003e\u003c\/em\u003e é considerado o \u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eprimeiro libro integramente vangardista da literatura galega\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e. Manuel Antonio asumiu a estética do creacionismo e do ultraísmo, rompendo de xeito radical coas formas rimadas e tradicionais do século XIX para situar a lírica galega á par dos movementos máis modernos de Europa.\u003c!--TgQPHd|||[]--\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIIBAG\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eInnovación visual e tipográfica:\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e No seu contexto orixinal de 1928, o libro xogaba co espazo en branco da páxina, prescindía deliberadamente dos signos de puntuación e usaba metáforas cinematográficas e mecánicas. O deseño tipográfico, ideado orixinalmente xunto ao editor Ánxel Casal, era en si mesmo unha declaración de intencións política e estética.\u003c!--TgQPHd|||[]--\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/li\u003e\n\u003c!--TgQPHd|||[]--\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIIhAA\" data-processed=\"true\" data-complete=\"true\" aria-owns=\"action-menu-parent-container\"\u003eA aposta de \u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003eChan da Pólvora\u003c!--TgQPHd|||[]--\u003e\u003c\/span\u003e ao reeditar este clásico imperecedoiro demostra que a vangarda histórica de Manuel Antonio segue a dialogar con total vixencia e forza coa poesía do noso presente.\u003cspan\u003e \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eO AUTOR\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIBhAA\" data-processed=\"true\" data-complete=\"true\"\u003e\n\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\u003cspan data-subtree=\"aimfl\" data-processed=\"true\"\u003eManuel Antonio Pérez Sánchez\u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e (Rianxo, 1900 – 1930), coñecido simplemente como \u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003eManuel Antonio\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e, foi o máximo representante da vangarda poética galega e un dos autores máis revolucionarios e singulares da nosa literatura.  Cun espírito marcadamente rebelde, renovou por completo a lírica galega do século XX ao fundir o sentimento do mar coas estéticas máis modernas de Europa.\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003c!--TgQPHd|||[]--\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=hY2Yxf_12\/fLk2Md\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e\n\u003cstrong\u003eInfancia e mocidade (1900-1918)\u003c\/strong\u003e\u003c!--TgQPHd|||[[2,[null,null,null,null,null,null,null,null,null,null,null,null,[351768,null,0]],[],null,1]]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAICRAA\" data-complete=\"true\" data-processed=\"true\"\u003eNaceu o 12 de xullo de 1900 en Rianxo (A Coruña) no seo dunha familia acomodada. A súa infancia estivo marcada por unha saúde delicada e pola perda temperá do seu pai cando tiña só catro anos.\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIChAA\" data-complete=\"true\" data-processed=\"true\"\u003eCriouse en parte en Santo Antoniño (Padrón) con dous tíos cregos e estudou o bacharelato en Santiago de Compostela. Desde moi novo amosou unha forte personalidade inconformista e un rexeitamento frontal cara ás convencións sociais e relixiosas da época.\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003c!--TgQPHd|||[]--\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=hY2Yxf_1g\/fLk2Md\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e\n\u003cstrong\u003eO activismo político e o Manifesto \u003cem class=\"zhvwWe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eMáis Alá\u003c!--TgQPHd|||[]--\u003e\u003c\/em\u003e (1918-1922)\u003c\/strong\u003e\u003c!--TgQPHd|||[[2,[null,null,null,null,null,null,null,null,null,null,null,null,[351768,null,0]],[],null,1]]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIDBAA\" data-processed=\"true\" data-complete=\"true\"\u003eEn 1918, instalado de novo en Rianxo, comezou a estudar a carreira de Náutica na Coruña por libre, unha elección que marcaría para sempre a súa obra. Nestes anos de mocidade, Manuel Antonio asumiu un forte compromiso político:\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/div\u003e\n\u003cul class=\"XSq4R KI3fJ\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIDRAA\" data-complete=\"true\" data-processed=\"true\"\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIDRAB\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eMilitou nas \u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eIrmandades da Fala\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e e manifestou un nacionalismo galego radical e independentista.\u003c!--TgQPHd|||[]--\u003e\u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/li\u003e\n\u003cli class=\"Z1qcYe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIDRAC\" data-complete=\"true\" data-sae=\"\"\u003e\n\u003cspan class=\"iNqyIf\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eEn 1922, xunto ao debuxante e escritor Álvaro Cebreiro, asinou o histórico manifesto \u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003e\"Máis Alá\"\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e. Este texto era unha proclama incendiaria que atacaba duramente o tradicionalismo literario e o costumismo decimonónico en Galicia, esixindo unha renovación estética total e moderna para o idioma galego.\u003c!--TgQPHd|||[]--\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/li\u003e\n\u003c!--TgQPHd|||[]--\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003c!--TgQPHd|||[]--\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=hY2Yxf_21\/fLk2Md\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e\n\u003cstrong\u003eA vida no mar e \u003cem class=\"zhvwWe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\"\u003eDe catro a catro\u003c!--TgQPHd|||[]--\u003e\u003c\/em\u003e (1923-1927)\u003c\/strong\u003e\u003c!--TgQPHd|||[[2,[null,null,null,null,null,null,null,null,null,null,null,null,[351768,null,0]],[],null,1]]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIDxAA\" data-complete=\"true\" data-processed=\"true\"\u003eTras rematar os seus estudos de Piloto de Mariña Mercante, iniciou as súas viaxes de prácticas a bordo do pailebote \u003cem class=\"zhvwWe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003eConstantino Candeira\u003c!--TgQPHd|||[]--\u003e\u003c\/em\u003e. Entre 1926 e 1927 realizou travesías que o levaron polas costas atlánticas e americanas (Cuba, Arxentina, etc.).\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIEBAA\" data-complete=\"true\" data-processed=\"true\" aria-owns=\"action-menu-parent-container\"\u003eA experiencia do illamento en alta mar, o traballo nas gardas nocturnas do buque e o contacto coa modernidade dos portos foron a materia prima coa que escribiu o seu libro fundamental, \u003cem class=\"zhvwWe\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e\u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003eDe catro a cutro\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e\u003c!--TgQPHd|||[]--\u003e\u003c\/em\u003e, publicado en 1928 pola Editorial Nós cun deseño vangardista do propio Ánxel Casal. Cun estilo influído polo creacionismo e o ultraísmo, o libro desbotou as rimas tradicionais para converter o mar nun espazo de soidade cósmica e baleiro existencial.\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003c!--TgQPHd|||[]--\u003e\u003c\/div\u003e\n\u003cdiv class=\"ZLzG0d ncoeY E8xBUb\" role=\"heading\" aria-level=\"4\" data-animation-nesting=\"\" data-sfc-cp=\"\" data-wiz-attrbind=\"aria-level=hY2Yxf_2j\/fLk2Md\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sae=\"\"\u003e\n\u003cstrong\u003eUn final temperán (1928-1930)\u003c\/strong\u003e\u003c!--TgQPHd|||[[2,[null,null,null,null,null,null,null,null,null,null,null,null,[351768,null,0]],[],null,1]]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIEhAA\" data-complete=\"true\" data-processed=\"true\"\u003eManuel Antonio non puido gozar do recoñecemento da súa obra. A tuberculose, enfermidade que arrastraba desde había tempo, agravouse gravemente durante as súas viaxes mariñegas, obrigándoo a desembarcar.\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIExAA\" data-complete=\"true\" data-processed=\"true\"\u003eRetirouse á súa vila natal de Rianxo para intentar recuperarse. Alí, rodeado polos seus manuscritos e mantendo ata o final o seu orgullo e rexeitamento a calquera consolo relixioso, faleceu o \u003cstrong class=\"rQesXe MPyX\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\"\u003e28 de xaneiro de 1930\u003c!--TgQPHd|||[]--\u003e\u003c\/strong\u003e, con apenas 29 anos de idade. No ano 1979 dedicóuselle o Día das Letras Galegas.\u003cspan\u003e\u003c\/span\u003e\u003c!--TgQPHd|||[]--\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"yhAwj\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-complete=\"true\" data-processed=\"true\" data-sfc-inited=\"2\"\u003e\u003c!--TgQPHd|||[]--\u003e\u003c\/div\u003e\n\u003cdiv class=\"AHmQrc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIFBAA\" data-complete=\"true\" data-processed=\"true\"\u003e\n\u003cdiv class=\"n6owBd awi2gc\" data-sfc-cp=\"\" data-sfc-root=\"c\" data-hveid=\"CAAIFBAB\" data-complete=\"true\" data-processed=\"true\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e____\u003c\/p\u003e\n\u003cp\u003eEditorial: Chan da Polvora 10-2026\u003cbr\u003eIdioma: Galego\u003cbr\u003ePáxinas: \u003cbr\u003ePOESÍA\u003c\/p\u003e","brand":"Vilariño, Braulio","offers":[{"title":"Default Title","offer_id":54510413939035,"sku":null,"price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0296\/0097\/2848\/files\/1928-Decatroacatro.jpg?v=1792953432","url":"https:\/\/libreriaabrente.es\/products\/de-catro-a-catro-2","provider":"Librería Abrente","version":"1.0","type":"link"}